New York-based Australian musician Lisa Moore is a multifaceted pianist, a prolific recording artist, and an avid collaborator. The New York Times has singled out her playing for its “life and freshness” and “fragility and tenderness”, The New Yorker describes her as “visionary” and “New York’s queen of the avant-garde piano” while Pitchfork claims “she’s the best kind of contemporary classical musician, one so fearsomely game that she inspires composers to offer her their most wildly unplayable ideas”. Given a special passion for the music of our time, Moore won the silver medal in the 1981 Carnegie Hall International American Music Competition and has since performed hundreds of commissioned works and world premieres – having worked with more than two hundred living composers, while residing and collaborating in the vibrant new music scene of New York City since 1985. Moore has performed throughout Europe, the UK, USA, and Asia - on some of the world’s great stages: New York’s Carnegie Hall and Alice Tully Hall at Lincoln Center, the Sydney Opera House, La Scala in Milan, London’s Royal Albert Hall and Royal Festival Hall, and Vienna’s Musikverein. She has released twelve solo albums - ranging from music by Leoš Janáček to Julia Wolfe - and more than thirty collaborative discs. Gramophone writes about her 2015 Mad Rush Philip Glass disc: “what becomes abundantly clear is Moore’s highly developed, intuitive and nuanced approach to this music”. Moore’s 2016 album The Stone People was selected by The New York Times Top Classical Albums 2016 and Naxos Critics’ Choice 2017. In June 2022, Moore released no place to go but around – her second album of music by Frederic Rzewski – to compelling notice. The New York Times remarked that the album is “meticulous...clever...hits the gas with controlled force”. For sixteen years (92-08) Moore was the founding pianist for the award-winning electro-acoustic sextet Bang On A Can All-Stars. She has performed with leading artists, ensembles and dance companies – Philip Glass, Meredith Monk, Ornette Coleman, Frederic Rzewski, Don Byron, Pamela Z, Thurston Moore, Iva Bittova, Bryce Dessner, London Sinfonietta, Steve Reich Ensemble, New York City Ballet, American Composers Orchestra, and The Chamber Music Society of Lincoln Center. As a concerto soloist, Moore has performed with the London Sinfonietta, Australian Chamber Orchestra, Albany Symphony, La Jolla Symphony, Sydney Symphony, Tasmania Symphony, Thai National, Monash MAPA, Canberra Symphony Orchestra, Philharmonia Virtuosi, Wesleyan University Orchestra-Sumarsam Gamelan, and the Queensland Philharmonic. She has worked under the batons of David Robertson, Leonard Bernstein, Pierre Boulez, Brett Dean, Roger Benedict, Bradley Lubman, Steven Schick, Benjamin Northey, Richard Mills, Reinbert de Leeuw, Jorge Mester, Leonard Dommett, Dobbs Frank, and Angel Gil-Ordonez. Moore’s festival appearances include Lincoln Center, BAM Next Wave, Banff, Tanglewood, Aspen, Chautauqua, Gilmore, PianoSpheres LA, Chamber Music Northwest, Huddersfield, Vale of Glamorgan, Liquid Music MN, Holland, Graz, Hamburg, Taormina, Paris d’Automne, Rome, Milan, Turin, Lithuania, Uzbekistan, Hong Kong, BBC Proms, Southbank, Barbican, Adelaide, Perth, Brisbane, Sydney, Melbourne Metropolis, Israel, and Warsaw. Lisa Moore is a Steinway artist.

A native of Osaka, Japan, Dr. Elly Toyoda is Visiting Assistant Professor of Violin and Coordinator of Strings at the Sunderman Conservatory of Music at Gettysburg College teaching violin, chamber music, music theory, and contemporary music. She is a recording artist for Cantaloupe Music label, and has performed in festivals and concerts across Asia, Europe, and North America. An avid supporter of contemporary music, Toyoda was awarded the Prix de Musique Contemporaine by the Fontainebleau School, and has appeared on programs at the National Sawdust, Le Poisson Rouge, National Gallery of Art in Washington DC, and the Elb Philharmonie in Germany. She has premiered numerous works through the Norfolk Chamber Music Festival, Lucerne Festival, Massachusetts International Festival os the Arts, Lake George Music Festival, and Talis Festival. Toyoda is a collaborator with Mammoth Trio and Eighth Blackbird - the 4-time Grammy award-winning contemporary music ensemble. Toyoda was previously faculty-artist for Yale School of Music's Norfolk Chamber Music Festival, Lecturer at Rutgers University, and violin and viola faculty at Lindeblad School of Music, and SpeakMusic Conservatory. Toyoda studied at Oberlin Conservatory (B.M.) where she was elected membership to the National Music Honors Society, Yale School of Music (M.M) where she received the school’s Alumni Prize and was a finalist for the concerto competition, and Rutgers University (D.M.A) where she received the school’s highest honors in recognition of excellence in performance and scholarly research.

Tristan Kasten-Krause is a bassist and composer living in Brooklyn, New York whose work enlarges the minutiae of close tones and subtle gestures. As a bassist he has been credited with lending his “low-end authority to vital New York institutions” (the New Yorker) and praised for his “heavenly” (the Guardian) original compositions. His work exploring duration and expanded time has led to multiple showcases on the Hudson Basilica’s 24-Hour Drone festival, performances of cathartic, hour-long compositions with experimental black metal band Scarcity, and the premiere of the marathon 6-hour opera, Stranger Love, for the LA Phil. Over the last decade Tristan has worked with forward-thinking artists such as Sigur Ros, Alvin Lucier, Caroline Shaw, LEYA, Sarah Hennies, and Steve Reich. He has served as bassist in many prominent New York ensembles including Talea Ensemble, Wet Ink, Ensemble Signal and Contemporaneous.

Iranian and Pakistani-American flutist Amir Hoshang Farsi’s playing has been described as “virtuosic and birdlike” (I Care if You Listen) and having a “beautiful sound and personal sense of expression” (New York Classical Review). Amir has made appearances at notable halls and music festivals across the United States and Canada, including Carnegie Hall, the Banff Centre, MASS MoCA, the Guggenheim Museum, Lincoln Center, the Time:Spans Festival, the New World Center, Music@Menlo and Norfolk Chamber Music Festivals, the Bang on a Can Festival, the St. Lawrence String Quartet Chamber Music Seminar, the Annapolis and Lake George Music Festivals, and the Shenandoah Valley Bach Festival. A passionate chamber musician, Amir has collaborated with leading artists such as tenor Nicholas Phan, soprano Meigui Zhang, violinists Arnaud Sussmann and Jennifer Frautschi, cellist Inbal Segev, harpist Parker Ramsay, cellist Mike Block, tabla-player Sandeep Das, flutist Claire Chase, and horn player William Purvis. Other projects have included composers Julia Wolfe, Luca Francesconi, Reena Esmail, Kaija Saariaho, Michi Wiancko, Robert Honstein, visual-artist Kevork Mourad, Running AMOC, and multidisciplinary duo The Afield. Amir is an alumnus of Ensemble Connect (2020-2023)—a joint fellowship through Carnegie Hall, the Juilliard School, and the Weill Institute of Music. He received a bachelor’s degree from the Peabody Institute of the Johns Hopkins University under the tutelage of Marina Piccinini and a master’s degree from the Yale School of Music, where he studied with Ransom Wilson. Amir was named one of ten Density Fellows in its inaugural class as part of Claire Chase’s Density 2036 Project where he works closely with Claire Chase on works from her Density2036 Project. Additionally, Amir recently participated in APAP’s YPCA program granting him and 5 other young artists/ensembles resources in professional development, networking opportunities, and an artist showcase at Carnegie’s Weill Hall.

Brendon Randall-Myers is a Brooklyn-based composer, guitarist, and sound designer who creates intricate and visceral music at various intersections of rock, experimental, electronic, theater, and classical. His work has been described as "an unflinching testimonial on grief and endurance" (Pitchfork), “emotive and gripping” (The Quietus), “physically punishing, but also detailed with fanatical precision” (Night After Night), and "a yearning explosion” (The Wire). Brendon co-leads avant-black metal band Scarcity, and is a member of the Glenn Branca Ensemble - having conducted the group since Branca’s death in 2018 - and avant-electric guitar quartet Dither. He writes music for classical performers (pianist Miki Sawada, Friction Quartet, cellist Annie Blythe, Chicago Symphony), cross-genre/experimental groups (Bang on a Can, Dither, Warp Trio), and film scores (Docked, Swimming with Stones, We the Economy: Recession). Brendon's work has received support from the Jerome Foundation, New Music USA, New York State Council for the Arts, Chamber Music America, the Guitar Foundation of America, the Foundation for Contemporary Arts, and ASCAP. He has performed in clubs, concert halls, and basements around the world, including the Barbican Theatre (London), the Kennedy Center (Washington, D.C.), and the Forbidden City Concert Hall (Beijing).

Praised for his "elegant and rounded sound" (Albany Times Union) and "effortless...unmatched" technique (The Clarinet Online), Graeme Steele Johnson is an artist of uncommon imagination and versatility. His diverse artistic endeavors range from a TEDx talk comparing Mozart and Seinfeld, to his reconstruction of a forgotten 125-year-old work by Charles Martin Loeffler. Johnson’s recent appearances include the Library of Congress, Chamber Music Northwest, Ravinia, Emerald City Music, and the Bridgehampton, Rockport, Orcas Island and Phoenix Chamber Music Festivals, as well as solo recitals at The Kennedy Center and Chicago’s Dame Myra Hess series. Since 2022 he has served as the clarinetist of the award-winning quintet WindSync, one of only two American wind quintets with a full-time, international touring schedule. In 2020, Johnson discovered the unpublished manuscript to a forgotten 125-year-old Octet by Charles Martin Loeffler, one of the most performed American composers of his time. Johnson spent a year reconstructing the Octet's score, creating the first critical edition of the music and revealing a kaleidoscopic piece spanning a half-hour. Johnson’s world-premiere recording of the work will be released on Delos Productions in the spring of 2024, coinciding with the first modern performances of the piece at the Library of Congress, Morgan Library, Harvard Musical Association, Phoenix Chamber Music Festival and The Stissing Center. Interested in shedding fresh perspective on familiar music, Johnson has authored numerous chamber arrangements of repertoire ranging from Mozart to Messiaen, and performed them around the country with such artists as the Miró Quartet, Valerie Coleman and Bridget Kibbey. Johnson is the winner of the Hellam Young Artists’ Competition and the Yamaha Young Performing Artists Competition and holds an exclusive recording contract with Delos. He earned graduate degrees from the Yale School of Music, and his major teachers include David Shifrin, Charles Neidich, Nathan Williams and Ricardo Morales.

At age 2 Miriam Liske-Doorandish requested her first cello and began lessons with her mother, Lisa Liske-Doorandish. She has since studied with Jonathan Kramer, Hans Jensen, Bartholomew LaFollette (BMus studies at the Royal College of Music), Amir Eldan (BA and AD at Oberlin Conservatory) and Paul Watkins (MM and MMA at the Yale School of Music). Raised in Virginia's Blue Ridge Mountains, Miriam is motivated by a love of collaboration which has led her into traditional chamber settings as well as traditional fiddling sessions. As cellist of the exploratory ensemble Trio Ondata, Miriam is a recipient of the gold and audience prizes at the 2023 Yellow Springs Chamber Competition. The trio also won silver medal and the Horszowski Prize at The Fischoff National Chamber Music Competition (‘22), and were winners of the 2022 Yale School of Music Chamber Competition. Miriam is at home with music up to and beyond the edges of the classical canon, embracing baroque and contemporary performance throughout her studies. In recent years Miriam has appeared at festivals such as Mimir Chamber Music Festival, Avaloch Farm Music Institute, Norfolk New Music, IMS Prussia Cove, Kneisel Hall, Four Seasons, the Next Festival of Emerging Artists, Musique à Marsac, and Bowdoin International Music Festival. Recognized for her arts advocacy, Miriam has received support from The Secular Society and Oberlin’s Flint Initiative Grant for her work as a founder and co-director of the Cello Springs Festival, a cross-genre education and performance project in Yellow Springs, OH. Miriam is currently based in New Haven, CT where she plays with Trio Ondata, the Havenwood Quartet and Versicolor New Music. In counterpoint with her performing and teaching life, Miriam is invested in community-building, the culinary arts, and exploring the Great Outdoors. She plays a Rocca model cello (2019) by Maryland-based luthier Howard Needham.